Ballet Onegin

A restless dandy is too late to realise that a middle class woman is the love of his life. Letters are torn up. Lives are destroyed.

With his adaptation of Pushkin’s verse novel Eugene Onegin John Cranko created a masterpiece of narrative ballet and one of the most famous story ballets of the 20th century. Choreographer John Cranko presents the story of the ill-fated love between the young woman Tatyana and the anti-hero Onegin to a range of works by the composer Pyotr I. Tchaikovsky, though not his opera Eugene Onegin. It is as if he holds a magnifying glass up to the emotions and passions of his characters that become the motor of his dramaturgy, which is told exclusively through dance.

Synopsis:

ACT I
In Madame Larina’s garden
Tatiana and Olga are dancing with their friends. An old game is played: Whoever looks in the mirror sees the beloved. For Olga, the superstition comes true. She sees her fiancé, the poet Lenski. When her sister Tatiana looks in the mirror, she sees Onegin and falls in love with him. Lenski had introduced his friend, who has come from St. Petersburg for the inheritance of a stately country estate, to the widow Larina’s home. But the bored city dweller makes no attempt to hide his disdain from the assembled society. Even Tatiana is unable to dispel his arrogance.

Tatiana’s bedroom
Tatiana writes a letter to Onegin in which she expresses her passionate love for this almost unknown man. Asleep over what she has written, in a dream she looks into her mirror: Onegin appears and returns her love.

ACT II
In Madame Larina’s house
Tatiana is celebrating her birthday. Impatiently, she waits for a sign with which Onegin, who joins the party with Lenski, will reply to her letter. Onegin, however, is irritated. He tears up the letter before Tatiana’s eyes and flirts so unambiguously with Olga that the unsuspecting and deeply jealous Lenski challenges him to a duel. Prince Gremin, a highly respected friend of the family, cannot put a stop to the drama.

A deserted park
Tatiana and Olga implore Lenski to renounce the duel. Onegin too is willing to be reconciled, but Lenski cannot let it go. Onegin shoots Lenski.

ACT III
Prince Gremin’s ballroom<
Ten years have passed. Tatiana is married to Prince Gremin. Onegin appears at one of the prince’s balls, disappointed in life. When he unexpectedly sees Tatiana there again, he realizes that he has rejected the only true love of his life. He searches for some sign of her former feelings for him, but the roles are switched: Tatjana turns away from Onegin, apparently unaffected.

Tatiana’s boudoir
Onegin has written Tatiana a letter. She does her utmost to avoid an encounter, but her pleas to the carefree Gremin not to leave her alone that evening are in vain. Onegin enters and confesses his love. Struggling with her emotions, Tatiana declares that Onegin’s insight comes too late: before his eyes, she tears up his letter. Onegin rushes off in despair, Tatiana is left behind in despair.


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program

Onegin
Choreographie: John Cranko

Place

Vienna State Opera – World-Renowned Stage for Opera and Ballet in the Heart of Vienna

The Vienna State Opera is one of the world's leading opera houses and a cultural landmark of Austria. Located prominently in the heart of Vienna, along the famous Ringstrasse, it offers outstanding opera productions featuring international stars and a renowned ballet ensemble.

Since its grand opening in 1869, the Vienna State Opera has been synonymous with musical excellence, artistic perfection, and an extensive repertoire ranging from operatic classics to contemporary works. Each season, it stages more than 300 performances, including world-famous operas such as Mozart’s "The Magic Flute", Verdi’s "La Traviata", and Puccini’s "Tosca".

Alongside its acclaimed opera productions, the Vienna State Opera is also home to the celebrated Vienna State Ballet, renowned for both classical and contemporary dance performances. The annual Vienna Opera Ball is a prestigious social event with international prominence.

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Tram:

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