DEUTSCHE OPER BERLIN - Der Ring des Nibelungen - Siegfried

The two middle sections of the tetralogy set out two ways of experiencing life. On the one hand we are presented in THE VALKYRIE with Brünnhilde, whose maturation process takes her from her discovery of sorrow and empathy to a conscious reflection on what it is to be human. By contrast, Siegfried’s path is mapped out solely as a function of his sensory experience. Where initially the young man’s self-image stems only from his exploration of his own boundless strength, other senses and sensibilities soon come to bear, along with an awakening sexuality. SIEGFRIED presents an encounter not only between man and woman but between two principles – Siegfried’s innate, unquestioned vigour on one side and Brünnhilde’s wisdom born of observation on the other. And as these two diametrical forces unite in a love clinch, the end of the opera seems to be presenting the basis for a renewal of human society.

duration: 6 hrs | 2 intervals

recommended from the age of 16

program

Der Ring des Nibelungen – Siegfried
Richard Wagner [1813 – 1883]
Zweiter Tag
Ein Bühnenfestspiel für drei Tage und einen Vorabend
Uraufführung am 16. August 1876 in Bayreuth
Premiere an der Deutschen Oper Berlin am 12. November 2021

In deutscher Sprache mit deutschen und englischen Übertiteln

Place

On September 24, 1961 the Opernhaus that had been inaugurated in 1912 and destroyed during the War was reopened as Deutsche Oper Berlin. Ever since it has been Berlin´s largest and Germany´s second largest music theatre, featuring among the most modern institutions in Europe. The straightforward and elegant building that was realized by architect Fritz Bornemann (he also conceived the America Memorial Library and the Haus der Berliner Festspiele, a. o.) seats 1.859 and guarantees a maximum viewing and hearing experience for every visitor.