DEUTSCHE OPER BERLIN - Don Carlo

It is common knowledge that Giuseppe Verdi, by nature a critical man, not only found much to disapprove of in the trends of his day but also subjected his own work to a continuous process of editing and revision.

None of his operas did he alter, abridge, rearrange or rewrite more intensely than his grimmest work of all – DON CARLO -, whose web of political, religious and social constraints is most reminiscent of the inescapability of destiny associated with Greek drama.

Verdi began writing the opera in 1865, and twenty years were to pass before the premiere in Milan of the four-act version that we are most familiar with today. The composer not only wrestled with the two languages of the piece, each with its distinctive form of expression. He was also at pains to achieve the best possible result by repeatedly cutting, reducing and rearranging. The opera, extensive sections of which are faithful to Schiller’s play, went through no less than seven versions.

In none of the opera’s characters does the light of reason sparkle. Prisoners of their situations, prisoners of their own reins of control and of their own making, above all prisoners of a deadly, ever-looming spiritual power greater even than secular hegemony… Verdi captures the essential helplessness of human beings entangled in this network of terror: at best, death brings release.

About the production
Marco Arturo Marelli brings Verdi's epic opera classic to the stage in a visually stunning way. The struggle for freedom and independence under the rule of the absolutist King Philip II is emphasised as a central theme. The unshakeable power of the church, which is chiselled into the foundations of this society, is always present behind everything. Embodied in the Inquisition, it makes short work of anything that could pose a threat to it by attempting to shake up the existing conditions.

duration: 3 hrs 30 mins / 1 interval

recommended from 16 years on

program

Don Carlo
Giuseppe Verdi [1813 – 1901]
Oper in vier Akten
Libretto von Joseph Méry und Camille du Locle nach Friedrich Schillers Tragödie
Uraufführung der italienischen Fassung von Achille de Lauzières am 10. Januar 1884 in Mailand
Premiere an der Deutschen Oper Berlin am 23. Oktober 2011

In italienischer Sprache mit deutschen und englischen Übertiteln

Place

On September 24, 1961 the Opernhaus that had been inaugurated in 1912 and destroyed during the War was reopened as Deutsche Oper Berlin. Ever since it has been Berlin´s largest and Germany´s second largest music theatre, featuring among the most modern institutions in Europe. The straightforward and elegant building that was realized by architect Fritz Bornemann (he also conceived the America Memorial Library and the Haus der Berliner Festspiele, a. o.) seats 1.859 and guarantees a maximum viewing and hearing experience for every visitor.